| dc.contributor.advisor | JUNAEDI, FAJAR | |
| dc.contributor.author | GAZALI, ZULFIKAR | |
| dc.date.accessioned | 2019-07-15T02:50:10Z | |
| dc.date.available | 2019-07-15T02:50:10Z | |
| dc.date.issued | 2019-03-11 | |
| dc.identifier.uri | http://repository.umy.ac.id/handle/123456789/28030 | |
| dc.description | Film Wonder Women merupakan film yang menceritakan tentang pahlawan perempuan yang ingin menciptakan perdamaian dunia. Film ini menggambarkan kondisi perang dunia yang terjadi antara Jerman dan London. Tidak hanya kondisi perang, film ini juga turut menggambarkan kondisi gender yang terjadi saat itu, mengingat isu gender cukup memanas pada masa peperangan. Meskipun film ini menceritakan tentang pahlawan perempuan, nyatanya sosok pahlawan pada film ini tetap membutuhkan sosok laki-laki untuk membela dunia. Penelitian ini melihat bagaimana relasi gender antara perempuan dan laki-laki dinarasikan dalam film ini.
Untuk melihat bagaimana relasi tersebut digambarkan, peneliti menggunakan kajian teori narasi dalam film, relasi dan konsep gender dan film sebagai komunikasi massa. Selain itu, penelitian ini menggunakan metode analisis naratif, dengan pendekatan struktur narasi Tzvetan Todorov, model aktan A. J. Greimas dan model oposisi biner Claude Levi-Strauss. Dalam penelitian ini, ditemukan bahwa ruang gerak perempuan di ruang publik terbatas, serta ketimpangan kekuasaan antar relasi gender.
Walaupun ada ketimpangan, tetapi film ini juga mengutarakan adanya pertukaran sisi feminitas dan maskulinitas antar relasi gender. Adanya konsep gender yang dipertukarkan, serta ketimpangan antar relasi dalam film ini, membuktikan bahwa reproduksi gender tidak akan pernah berhenti dan akan terus menerus melalui pola pembentukan yang sama. | en_US |
| dc.description.abstract | Film Wonder Women is a film that tells the story of heroine who wants to create world peace. The film depicts the condition of the world war that took place between Germany and London.Not only the state of war, this film also illustrates the gender condition that occurs when, considering gender issues quite heated at times of war. Although the film is about the heroine, in fact, a hero in the film still needs a male figure to defend the world. The research looked at how gender relations between women and men narrated in this film. To see how these relationships are described, researchers used the theory study of narrative in the film, relationships and concepts of gender and film as mass communication. In addition, this study uses narrative analysis method, with the approach of narrative structure Tzvetan Todorov, Greimas AJ actant models and Claude Levi-Strauss binary opposition. In this study, it was found that the space for women in the public sphere is limited, and the imbalance of power between gender relations. Although there is inequality, but the film also express their femininity and masculinity sides exchange between gender relations. The existence of gender concepts are interchangeable, and the imbalance between the relationship in this film, proving that the reproduction of gender will never stop and will continue through the formation of the same pattern. | en_US |
| dc.publisher | FAKULTAS ILMU SOSIAL DAN ILMU POLITIK UNIVERSITAS MUHAMMADIYAH YOGYAKARTA | en_US |
| dc.subject | Gender relations, Women, Films, Mass Communications, Narrative | en_US |
| dc.title | NARASI RELASI GENDER DALAM FILM WONDER WOMAN | en_US |
| dc.type | Thesis
SKR
FISIP
149 | en_US |
